Most Recent 50 Kisses Updates

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Unbearable…

“What was I thinking?”  “Why did I think we could pull this off?” “I need to be at back work in 6 hours…” “I wonder if they’ll have bagels on set tomorrow morning? All these things were rattling through my head going into the 14th hour of the 2-day shoot. I was so exhausted from

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Enough by Simon Straub

The first desicion we had to make was choosing a script. It was rather easy because we had certain limits, no money, not much time to prepare and the cast had to be easy available. “Enoungh” gave us all that. A simple but strong story, we did not have to change locations and the actors

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Close Encounters at 1.15am…

So it’s 1.15am and I look over to see the shop manager looking sleepily at the clock. I had told him we’d be finished filming by 11pm and we’ve still got a couple of shots to do. I look at the crew but they’re working flat out – as they have been for eight straight

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Shooting ‘A Ghetto Punk Romance’ on RED Epic

I heard about the 50 kisses competition through a friend and decided to read a couple of scripts out of curiosity. When I read Lloyd Morgan’s “Ghetto Punk Romance” I instantly felt inspired. It was one of those moments that you can’t quite descibe. To put it simply, I couldn’t let myself step away from

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And the winnner is…

So the votes are in and we can now reveal the top ten scripts for 50 Kisses. The winner will be revealed at the London Screenwriters’ Festival next week. So to be clear, this is just the best screenplay award. There will still be awards for best film which could go to any of the

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A German Dream Date

We chose Dream Date because we found the script charming and witty. We could relate as parents to the storyline, and as filmmakers, well, we are all about the humour. So far in our films, we tend to stretch ourselves and try new things. So of course we wanted to change an aspect or two

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Standing with giants: Guest Blog by Shaun Bond

I have seen a worrying trend in some of the short film competitions I’ve seen over the last few years, where creativity loses out to high production values and polish. Often this is because the competition is held by a company looking to use the film for self-promotion and wouldn’t know creativity if it clubbed

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Q and A with Sweet Home Films’ Evan and Kerry Marlowe

How did you hear about the 50 Kisses Competition? Kerry: I met Chris Jones back in 2004 at a barbeque at Ealing Studios. He was talking about his book ‘The Guerilla Film Maker’s Handbook’ and how to be an independent film-maker, this information has stayed with me and helped in every production I have worked

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No Excuses

Maureen: For a filmmaker, I always find myself making up excuses not to make films. ‘I don’t have money’, ‘I have to work a full time job’, ‘I don’t have time’. I went to film school thinking: ‘I can write, but I can’t direct’. I came out thinking, ‘Ok, I get what directing is about,

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Jo Buckman on her RomZom ‘You Used to Bring Me Flowers’

It’s this funny thing being known mostly as a Producer rather than a writer. Truth is I write a lot. I’ve got a drawer full of short film scripts ready to go, a TV pilot, a documentary and a feature outline. It’s just that while I’m creative, I’m also a born organizer: I’m very practical

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The 50 Kisses competition changed my life by Nathan Gower

There. I said it. In all its seemingly hyperbolic glory, that first sentence is completely valid and one that I will stand by, regardless of whether or not I ever have the pleasure of seeing another of my scripts make it on the “big screen.” Let me give you some context. From my earliest memories

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