So, where are we at these days?! It’s 18 months down the line from the wrap on my short film ‘A Kiss Goodbye’ and we’re now on the final PR push for 50 Kisses, which after a long haul has got its BBFC 15 certification along with the wonderful DCP drive required for the projection

How one filmmaker made their first film, against all odds, and it was part of 50 Kisses! Carolina shared in an email ‘“50 Kisses” and “Never Forget” not only reminded me of how much I really love bringing images to life, but also taught me the responsibility of creating art. It showed me that with hard

What Shall We Do With 50 Kisses AFTER the Premiere? An open question and a few words of tough love. We have a number of things we can do with 50 Kisses after the premiere. First, we could release it on the internet free. This would mean anyone can watch it, anyone could embed it

I had decided to give up. Movies. Filmmaking. Writing. The lot. I was spent – in every sense of the word after a feature film that I had been working on passionately for several years as the writer/director crashed and burned 3 weeks before shooting was to start in the USA – leaving me broken

I still find it crazy that ‘The Moment’ has created so many different opportunities and previews of life ahead. Through this little two minute script and the 50 kisses competition I have seen my idea come to life through a number of fantastic and exciting film makers, I have networked with producers, wrote a pilot

Last night I spent an hour on BBC London with Radio hosts Sunny and Shay, discussing film, music and of course 50 Kisses. This came right off the back of 50 Kisses Training Day on Saturday. Around 60 filmmakers and writers involved in 50 Kisses, gathered at Ealing Studios to focus on how we, as

This afternoon I headed into Soho to watch the final DCP (Digital Cinema Package) at SDC for ‘50 Kisses’, alongside a journalist friend who writes for, and reviews films, for the broadsheets. His reaction? ‘50 Kisses significantly exceeded my expectations…’ I won’t say more till reviews begin to appear. And I have to tell you,

I wrote the song “Good” while living in NYC, with most of my thoughts and songs ranging from the love-lost scorn to the revengeful strong woman  to the forever young anthem of taking on the world. When I wrote “Good”, however, I let myself wonder again about love, just pure, simple, happy love. Nothing perfect,

I have just retuned from a visit to the office of the lovely people at SDC who are making the DCP for 50 Kisses. I know a great deal more about the process of making one now and plan an extensive blog on the matter post 50 Kisses premiere (as it is so essential for

I little expected, when filming Rob Burke’s  LOVE script in the London Underground, that nine months later, I would be on the New York Subway on route to see our film screened at the Tribeca Film centre. Also our little film, shot guerrilla style in a day and a half, helped in my selection by

To screen 50 Kisses in a cinema, we need to make a DCP. This is a specific file supplied on an industry standard drive. We could make our own DCP using OpenDCP (low budget and a little risky), but the lovely people at Soho Digital Cinema are helping us out. I have always been in

Are you trying to build a reputation as an independent filmmaker, writer, actor? Are you on social media? If you are, then you’ll know the currency that photographs have – especially pictures of you and your friends/family at your premiere would have. We will have an official photographer there to take photos and make you